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Edward Peel-Smith took to the role like a fish to water, establishing himself as the Doctor in the eyes of fans and viewers alike. His clothes may have been unorthodoxly conservative, but his mannerisms and his innocence made him unquestionably alien.
But as the show entered its thirtieth anniversary, nothing else was settled. There was no companion and no co-production deal. The BBC decided to settle the co-production question once and for all, making the twenty-ninth season a test bed. The season’s length would be extended by six episodes to twenty-six, and fourteen of these would be produced by the three front-running bidders. David Maloney remained as the caretaker producer of the remaining twelve episodes. To oversee the activities of four separate production teams, the BBC hired Terrance Dicks as the season’s executive producer.
Then there was the question of the companion. It was David Maloney’s job to cast her, and he realized that with her development out of his hands for fourteen of the season’s twenty-six episodes, he needed a character that was distinctive and strongly drawn from the start. It had been a long time since a character from an earlier time period had travelled aboard the TARDIS, so David Maloney decided upon a teenaged girl orphaned during the French Revolution. In the hands of a strong actress, she could sail through these difficult waters, establishing herself without the help of a managed writing staff.
After auditioning a number of candidates, David Maloney and Edward Peel-Smith settled upon Welsh actress Sara Griffiths. She had appeared in Doctor Who before, as the potential companion Ray in Delta and the Bannermen; she had a talent for accents and she and Edward also showed a good chemistry on the audition floor. Edward decided the matter before David, demanding that she be signed on before David had even said a word. David would go on to say that this prejudiced contract negotiations considerably.
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